The Perfect Neighbor Analysis: Examining a Infamous Incident Via the Lens of a State Cop's Body Camera

The real-life crime genre has a new medium, or perhaps even a whole new language and structure: police body cam footage. Countenances of those harmed, witnesses and potential offenders appear suddenly to the cameras, at times in the intense brightness of headlights or torches as the police arrive, their faces and voices eloquent of wariness or fear or indignation or dubiously feigned naivety. And we frequently incidentally glimpse the expressions of the law enforcement personnel, one standing by blankly while the other asks the questions with what occasionally seems like remarkable hesitation – though perhaps this is because they know they are being recorded.

An Emerging Pattern in Non-Fiction Cinema

We have already had the Netflix real-life crime film American Murder: Gabby Petito, about the killing of an social media personality by her boyfriend, whose primary focus was officer recordings and in which, as in this film, the law enforcement seemed surprisingly lenient with the perpetrator. There is also Bill Morrison’s Oscar-nominated short Incident, made exclusively of officer footage. Now comes Geeta Gandbhir’s documentary about the tragic incident of a Florida mother in Ocala, Florida, a woman of colour whose children reportedly bothered and tormented her neighbor, Susan Lorincz. In 2023, after an increasing number of neighborhood conflicts in which the authorities were repeatedly called, the accused shot Owens dead through her closed front door, when Owens went to Lorincz’s house to address her about throwing objects at her children.

The Investigation and Legal Context

The arresting officers found evidence that the suspect had done online research into the state's self-defense statutes, which allow residents and others to shoot if there is a reasonable belief of danger. The movie builds its story with the officer recordings captured during the multiple officer calls to the location before the killing, and then at the horrific and chaotic crime scene itself – introduced by emergency call recordings of the caller calling the police in a dramatically trembling voice. There is also police cell footage of the individual which has a disturbing, unsettling appeal.

Portrayal of the Accused

The film does not really imply anything too complex about the neighbor, or any mitigating factors. She is obviously disturbed, although the children are heard calling her a derogatory term, an ugly jibe. The production is showcased as an example of how self-defense regulations lead to senseless and tragic bloodshed. But the reality of firearm possession and the second amendment (that longstanding U.S. legal right that a deceased pundit famously claimed made gun deaths a necessary cost) is not much emphasized.

Police Interrogation and Gun Culture

It is possible to watch the police interrogation scenes here and feel astonished at how minimal concern the police took in this aspect. When did she buy her gun? Did she receive any instruction on handling it? Had she ever had occasion to fire it before? Where did she store it in the house? Could it have been easily accessible and prepared? The police aren’t shown asking any of these surely relevant questions (though they may have done in recordings that were not included). Or is gun ownership so normal it would be like asking about kitchen appliances or bread heaters?

Arrest and Aftermath

For what seemed to her neighbors a extended period, Lorincz was not even taken into custody and indicted, only detained and even provided accommodation away from home for the night (another parallel, by the way, with the a prior incident). And when she was finally formally arrested in the detention area, there is an extraordinary sequence in which the individual simply refuses to stand, will not extend her arms for the cuffs, not hostilely, but with the politely self-pitying air of someone whose mental health means that she just can’t do it. Did the gentle handling up until that point encouraged her to think that this might actually work?

Conclusion and Verdict

It didn’t; and the jury’s verdict is saved for the closing credits. A very sombre picture of U.S. justice and consequences.

This Documentary is in cinemas from 10 October, and on the streaming platform from 17 October.

Jennifer Stanley
Jennifer Stanley

A digital artist and educator passionate about blending traditional techniques with modern design.