Looking at my reflection, I can see myself in huge shimmering pantaloons, seen just for my eyes. Kids play in a rock pool pretending to be sea nymphs, meanwhile in the next room sits a speaking vegetable in a showcase, beside a tall mound of bedding. It embodies the universe of H.C. Andersen (1805-1875), one of the 1800s most beloved authors. I’m in Odense, located on the island of Fyn in the south of Denmark, to investigate the writer's enduring legacy in his birthplace a century and a half after his demise, and to experience a couple of enchanted tales of my own.
Andersen's House is the town's exhibition space honoring the storyteller, incorporating his first home. A museum representative states that in previous versions of the museum there was scant attention on his fairytales. Andersen's biography was explored, but The Little Mermaid were missing. For tourists who visit this place seeking storytelling magic, it was a little lacking.
The redevelopment of downtown Odense, redirecting a primary street, provided the opportunity to rethink how the renowned native could be commemorated. An international design contest granted the architects from Japan the Kengo Kuma team the contract, with the museum's fresh perspective at the heart of the design. The distinctive timber-clad museum with connected spiral spaces debuted to great fanfare in 2021. “We have attempted to build a place where we move beyond simply describing the writer, but we speak in the manner of him: with comedy, sarcasm and perspective,” notes the representative. The outdoor spaces take this approach: “The outdoor area for explorers and for colossal creatures, it's created to create a feeling of diminutiveness,” he says, an objective accomplished by thoughtful gardening, manipulating elevation, proportion and multiple meandering routes in a deceptively small space.
He authored multiple personal accounts and regularly changed his story. HC Andersens Hus adopts this philosophy fully; typically the opinions of his companions or snippets of written messages are displayed to gently question the his narrative of happenings. “The writer is the narrator, but he's untrustworthy,” says the expert. The result is a engaging swift exploration of his personal story and work, mental approaches and favorite narratives. It is provocative and fun, for adults and youngsters, with a extra basement fantasy realm, the fictional village, for the smallest guests.
In the actual city, the compact town of the municipality is delightful, with stone-paved roads and historic timber buildings painted in vibrant hues. The writer's influence is ubiquitous: the road indicators feature the storyteller with his iconic characteristic hat, bronze footmarks provide a complimentary pedestrian route, and there’s a sculpture trail too. Every August this commitment reaches its height with the annual HC Andersen festival, which celebrates the writer's impact through visual arts, movement, drama and musical performances.
This year, the seven-day event had hundreds of events, the majority were complimentary. While visiting the city, I meet painted stilt-walkers, fantastical beings and an writer impersonator telling stories. I experience feminist spoken-word pieces and witness an remarkable evening show featuring graceful performers lowering from the town hall and dangling from a construction equipment. Still to come during the season are presentations, hands-on activities and, broadening the storytelling legacy further than the writer, the city’s yearly wonder event.
Each wonderful enchanted locations require a palace, and this region boasts over a hundred manors and estates throughout the region
Similar to much of the country, bicycles are the ideal method to travel around in Odense and a “bike path” meanders through the urban core. Starting at the local hotel, I ride to the public waterside bathing area, then out of town for a loop around Stige Island, a tiny landmass connected by causeway to the mainland. City residents relax with food here in the evening, or take pleasure in a tranquil moment angling, aquatic activities or swimming.
Returning to Odense, I dine at a local eatery, where the food selection is based on the writer's motifs and narratives. The poem the national ode is featured during my meal, and owner the restaurateur reads extracts, presented in English, as he introduces the meal. Such encounters repeated often in my days in the city, the local residents appreciate narratives and it seems that narrating is always offered here.
Each wonderful enchanted locations require a palace, and the island features over a hundred manors and manor houses across the island. Going on excursions from the city, I tour Egeskov Castle, Europe’s finely maintained historic fortress. Although large sections are accessible to the public, this historic site is also the family home of the aristocratic owners and his wife, the royal resident. I ponder if she might sense a pea through a pile of {mattresses
A digital artist and educator passionate about blending traditional techniques with modern design.